Trevor Yeung in “An Opera for Animals” at Rockbund Art Museum, Shanghai
An Opera for Animals
Exhibition Dates: 2019.06.22 – 08.25
Exhibition Venue: Rockbund Art Museum, Shanghai
Artists: Kenojuak Ashevak, Shuvinai Ashoona, Firelei Báez, Julie Buffalohead, Clément Cogitore, Chen Qiulin, Ali Cherri, Clara Cheung, Narcisa Chindoy, Lok Chitrakar, Cui Jie, Juan Davila, Heri Dono, Ticio Escobar, Jes Fan, Sofia Ferrer, Fifita Family, Chitra Ganesh, Beatriz González, Guo Fengyi, Vivian Ho, Saodat Ismailova, Ilya Kabakov, Emilia Kabakov, Lee Bul, Lawrence Lek, Candice Lin, Euan Macdonald, David Medalla, Barayuwa Munuŋgurr, Adam Nankervis, Carlo Nasisse, Kelly Nipper, Gabriel Pareyón, Gary Ross Pastrana, Tim Pitsiulak, Gala Porras Kim, Khvay Samnang, Simon Soon, Angela Su, Tao Hui, Wang Wei, Wu Chuan-Lun, Haegue Yang, Yang Shen, Yee I-Lann, Yang Yuanyuan, Trevor Yeung, Samson Young, Zhang-Xu Zhan, Robert Zhao Renhui, Zhao Yao, Constanze Zikos
Curator: Cosmin Costinas, Hsieh Feng-Rong, Claire Shea, Billy Tang
Like the complex history of the museum or exhibition, it has gradually developed into another collective kind of ritual. At the height of its development in the West, opera increasingly became conjoined to the vision and forceful influence of colonization, and we re-contemplate the medium as a compromised interface that precipitated struggles with indigenous worlds and other knowledge systems.
Despite the fact that colonization has seemingly ended in many parts of the world, the struggle to preserve indigenous forms of heterogeneity still lives itself out into the contemporary age today. This other world outside of what is considered ‘high culture’ has always been a source of fear and intrigue for opera, it has long been an inseparable reservoir of imagination for the medium to replenish itself in spite of its outward ambition to reach and supplant it. Beyond the specter of phantoms in opera, animals and cultural narratives around animals reemerge in the exhibition as extensions to infiltrate and expand the specificity of opera as an institutionalized setting to consider the pattern of the relationship between our modernity and the natural world. Our interest lies in how the medium inadvertently mutated into an expanded stage for other more unpredictable transitions between notions of animality and our humanity. The exhibition at the Rockbund Art Museum will unfold throughout the different levels to offer a different operatic environment to explore these inter-related themes.
The exhibition is part of a long-term collaboration between the two institutions.