Yasmine Anlan Huang

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Yasmine Anlan Huang (b. Guangzhou, 1996) is an artist and writer working between London, New York, and Hong Kong. She explores how desires within coming-of-age tropes subvert patriarchal, colonial, and capitalist expectations. Previous exhibitions include Magician Space (solo, Beijing), Goethe-Institut Hong Kong (duo, Hong Kong), Whitney Biennial 2024 (New York), HART Haus (Hong Kong), Power Station of Art (Shanghai), Three Shadows Photography Art Centre (solo, Xiamen), among others. She has been awarded multiple fellowships and residencies, including the Skowhegan School of Painting and Sculpture. Her writing and translation have been published in p-articles, SAMPLE Magazine, HeichiMagazine, BIEDE Girls, and many others. Love of the Colonizer, her poetry and essay collection, has been published by Accent Sisters in 2022. Her second book Becoming Everyone, Everywhere, is forthcoming in 2025.

Huang holds a BA (Hons) in Creative Media from City University of Hong Kong, an MA in Literary and Cultural Studies from the University of Hong Kong, and an MFA from Parsons School of Design.

Together We Confess, 2025, single-channel video installation, Full HD, color, stereo, 8’53”

Game, 2025, North Macedonian handkerchief, vintage rabbit trap, silver and stainless steel charms, plant-dyed silk crepe de chine, hand-painted vintage frame, 30 x 33 cm

Crescendo, 2024, single-channel video, HD, super 8mm film transferred to HD, color, sound, 14’04”

Her Love is a Bleeding Tank, 2020, single-channel video, HD, color, stereo, 5’31”

Love of the Colonizer, 2025, mother-of-pearl on leather hardcover, digital print on fine art paper and tracing paper, stainless steel bar, silk, cotton and polyester ribbon, hand-dyed lace ribbon, 19.7 x 13.2 cm (Book), dimensions variable

Your Earnest Fondle, 2025, saga brocade silk fukuro-obi (kimono sash), digital print on fine art paper, 21 x 14.8 cm

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