This post is also available in: 简体中文 (Chinese (Simplified)) English

The show is about fighting fish (Betta fish).

Along Hong Kong’s Goldfish Street, male fighting fish are kept alone in palm-sized plastic bags or tiny clear containers and hung on racks in endless rows on display.

Most of them come from Thailand, where they are farmed in tiny glass bottles until they’re shipped worldwide. As the male fish are aggressive and territorial by nature, they must be bred in silos.

Since people are drawn to their vivid colors, they often use mirrors and sticks to provoke bettas into believing they’re being confronted by another of their kind, causing them to spread their tails.

This kind of display suggests both aggression and courtship.

Trevor Yeung accrued his knowledge on fighting fish from his own experience of keeping them and various other sources. Meticulous in his method, Yeung not only understands their nature but also the kinds of systems surrounding them. Over time, he saw an affinity between fighting fish and people.

Fish being kept in tanks are like people immersed in social media, constantly living under the gaze of others.

Fighting fish are always alone.

 

 

There are three parts to the exhibition:

A large bubble nest, where fighting fish frolick;

A matrix of thousands of glass bottles, where fighting fish grow;

A gladiatorial shelf of tanks, where fighting fish flaunt themselves–to others and to their own reflection.

These rooms mirror scenes from contemporary life.

Trevor Yeung: Not a Fighter, But a Lover

Trevor Yeung: Not a Fighter, But a Lover, exhibition view

Trevor Yeung: Not a Fighter, But a Lover, exhibition view

Fish Head Hooks (Betta), 2024, fibreglass, acrylic paint, stainless steel, 5 x 3.5 x 15cm / each

Betta Tail (CT_Pearl White), 2024, photosensitive resin, acylic paint, copper plating, 62 x 99 x 5cm

This is our world, 2024, glass bottle, laser engraving, tannin malabar leaf extract, food coloring, water, dimension variable

Betta Tail (DT_Red), 2024, photosensitive resin, acylic paint, copper plating, 47 x 88 x 5cm

The Unentertaining Circle, 2024, water, glass film, water, stainless steel, 200 x 200 x 200cm

Trevor Yeung: Not a Fighter, But a Lover, exhibition view

CLOSE 关闭

扫描二维码关注画廊微信公众号

或者微信搜索公众号“魔金石空间”